Updated February 2009
MIXER:
-Yamaha GA32/12 32ch/10bus + stereo.
(Current configuration setup for up to six stage monitor mixes, stereo FOH, stereo recording, and eight channels of effects.)
-Yamaha ProMix 01 - 16 channel digital mixer
(Capable of stereo FOH, two monitor mixes, and two stereo effects channels.)
-Behringer PMX-2000 250 watt (x2) 10 channel powered mixer

MICROPHONES:
Sennheiser ew-135 Wireless handheld cardioid with diversity receiver
Audio Technica AT-228 Wireless handheld cardioid with diversity receiver
6- Sennheiser 835 dynamic cardioid
4-Marshall MCA-SP1 large diaphragm condenser
2-Marshall MXL-V57M 1” large diaphragm condenser
1-Marshall MXL-990 ¾” large diaphragm condenser
1-Marshall MXL-992 Mogami Edition large diaphragm condenser
1-EV RE20 large diaphragm dynamic
1-AKG C452EB + A51 + CK1s small diaphragm condenser
2-CAD GXL 1200 Condenser
1-AKG D-112 large diaphragm dynamic (Kick drum mic)
1-Audix D6 Large diaphragm dynamic (kick drum mic)
1-Shure Beta 91 Kick mic
1-Superlux PRA-218A dynamic supercardioid (drum mic)
4-Superlux PRA-228A dynamic supercardioid (drum mic)
3-Behringer XM-8500 dynamic cardioid (modified)
3-Shure SM-57 dynamic
1-Shure 545 SD dynamic
1-Shure 540 S dynamic
2-Shure Beta 57A dynamic super cardioid
3 -Sennheiser MD-421

EFFECTS/PROCESSING:
1- T.C. Electronic D-TWO delay (stereo)
1-Yamaha SPX-90 effects processor (stereo)
1-Yamaha REV-7 effects processor (stereo)
1-Behringer Virtualizer Pro DSP-2024 (stereo)
1-Behringer MDX-2200 gate/comp/limiter (2 Channels)
2-Behringer MDX-1400 gate/comp (4 Channels)
1-Samson Scom4 comp/lim/gate/exp (4 Channels)
2-Behringer MDX-4600 gate/comp/lim (8 Channels)

DRIVE
2-Behringer DSP-8024 RTA/EQ (4 Channels total)
1-ART 355 Dual channel EQ (2 Channels)
2-Nady GEQ-215 15 band EQ (4 Channels)
1-Behringer MDX-4400 comp/lim (4 Channels)
1-Behringer CX-3400 crossover
2-Behringer DCX-2496 <Ultradrive Pro> crossover

AMPLIFIERS: (10,900 watts total)
1-QSC RMX-850 <800 watt amp> (Monitor/Utility)
1-Carvin DCM-1000 <1000 watt amp> (Monitor)
2-QSC RMX-1450 <2800 watts total>(Sub-woofers)
1-Carvin DCM-2000 <2000 watt amp> (FOH)
1- PMX-2000 (2 x 250 watts) *see mixer section.
1- Behringer EP-1500 <1400 watt amp> (Utility)
1- Behringer EP2500 <2400 watt amp> (Utility)

SPEAKER CABINETS:
2-JBL MRX515 15" / 2-way (800/1600 watts)
6-15 inch /2-way traps (FOH) (250/500 watts)
8-15 inch /2-way traps (FOH/Monitor) (200/400 watts)
4-12 inch /2-way wedges (Monitor, extra fill) (150/300 watts)
4-Propietary folded horn sub-woofers (600/900 watts each)

CONNECTIVITY:
2-Roll's active DI boxes
2-Behringer DI-100 Active DI
1-Behringer GI-100 Active DI (4x12 simulator)
1-EWI Passive Stereo DI <Keys>
3-passive transformers
-various quantity of isolation transformers to connect to in house, broadcast, or other facilities

ANCILLARY
1-Cd recorder
1-Dual deck Cd player
1-AM/FM Receiver
2- Tripod mount speaker stands (sticks)

CABLING:
1-24 x 4 snake with Elco's 100 feet
1- 8 x 4 snake 100 feet
1- 6x 50' drum snake
1- 2(video) / 3(audio) / 1(Edison) TV snake cable 90 feet
large supply of various lengths of mic cables and other inter-connect cables

In order for the equipment to work at peak performance, the following guidelines are recommended.

Requirements for our services:

ELECTRICAL– 5 separate circuits total…
5 separate 120 volt, 15 amp, grounded circuits (normal “Edison” receptacles) within 50 feet of the center of the staging area. Circuits will be used for seven power amplifiers that are placed on floor level in front of the stage area. These circuits must be separate, as the amplifier rack needs the capacity that five circuits would provide. Results not guaranteed unless 5 circuits are used. Circuits may be more than fifty feet from upon advance notice.

Physical
An area at least 6 feet by 8 feet is required within 75 feet of the stage. This area is used for mixing console, effects rack, and drive racks. Ergonomics and good sound dictate that placement be somewhere near the center of the venue so that technical people can see the entire stage, and hear, without distraction. If lighting crew will be sharing space, their space is to be added to the above.

Other considerations are invited.
The rest is up to you!